Do you like having Eggs on Toast for Breakfast? We caught up with Emma Bosworth, about her new single
In the world of music, some artists stand out as not just performers, but as consummate storytellers, and Emma Bosworth is undoubtedly one of them. Emma, along with her band, The Meeting Seasons, is gearing up to release her latest single, "Eggs on Toast," a poignant and profound musical journey. This release follows closely on the heels of their previous single, "Cairns Major," which may sound familiar but is, in fact, an original creation by Emma Bosworth and Hannah Crofts (of All our Exes Live in Texas and Baby Velvet).
"Eggs on Toast" already made a strong debut, gaining a "Monday First Spin" on Henry Wagons's show, "Tower of Songs," on Double J Radio. Henry praised Emma, stating, "She’s an amazing performer… the lyrics are quite obtuse, but the world she creates is quite forthright, it’s nice, and I always like songs about food."
This latest musical endeavor by Emma Bosworth and The Meeting Seasons was crafted within the confines of Emma's home studio. The result is a unique fusion of storytelling and music that beautifully encapsulates their creative journey. "Eggs on Toast" is more than just a song; it's a profound musical odyssey that explores a spectrum of emotions and themes.
The genesis of "Eggs on Toast" lies in the "I HEART SONGWRITING" challenge of 2020, where the theme revolved around breakfast, and participants were tasked with inventing a fictional word. In a stroke of genius, Emma coined the term "tomdalificent," a fabricated word that beautifully encapsulates the sensation of a contented stomach.
The song's initial verse remains untouched since its inception, preserving a raw and unfiltered essence. Further refinement of the song took place during a collaborative session at Rohin Jones's residence, emphasizing their shared commitment to the art of songwriting.
"Eggs on Toast" emerges as a lyrical masterpiece that touches upon various facets of the human experience. It serves as a commentary on motherhood, the observation of others' struggles, and the personal battles that we all grapple with within our minds. The song delicately addresses the subject of suicide, amalgamating a range of emotions mirroring the tumultuous mental states experienced by those living with restless children.
Photo by Kiki at It's Fox and Bear
In a courageous move, Emma Bosworth weaves the theme of suicide into her lyrics, acknowledging the preciousness of life and the ease with which someone can slip away. Nevertheless, the song also carries a message of hope, emphasizing the resilience of the human spirit and the potential for positive transformation.
Emma Bosworth herself reflects on this, stating, "This is the first time I've acknowledged suicide in a song... I think as I've gotten older, I've realized more and more how precious life is and how easily someone can slip away, and how many suffer in silence. The veneer of our lives can so easily be cracked and damaged."
Emma Bosworth's musical journey began at the tender age of 14, where she discovered her ability to play the guitar and express the stories within her mind. Over the years, she has explored a wide range of musical genres, from pop-punk with The Flying Chimnees to infectious rock with J-Pan Fan. Emma released her debut album, 'Coming Up For Air' in 2014 and has also lent her songwriting expertise to The Soldier's Wife, a national songwriting initiative honoring the families of Australian servicemen. Her music has received critical acclaim, earning nominations at the Queensland Music Awards, Tamworth Songwriters Association, and the Australian Roots Music Awards, and has found a place in television series and films.
Now, alongside her exceptionally talented band, The Meeting Seasons, consisting of Rohin Jones, Reuben Schafer, and Tony McCall, Emma Bosworth embarks on her most authentic musical voyage yet. Her storytelling weaves between social commentary and escapism, all set to music that flawlessly balances simplicity and sophistication, driven by her profound love and passion for the art of music.
It's worth noting that this project was supported by The Regional Arts Development Fund (RADF), a partnership between the Queensland Government through Arts Queensland and Sunshine Coast Council through ArtsCoast, aimed at supporting local arts and culture in regional Queensland.
As "Eggs on Toast" prepares to make its mark on the music world, Emma Bosworth and The Meeting Seasons offer a unique blend of storytelling and artistry, giving us a song that touches our hearts, makes us reflect, and, ultimately, fills us with hope.
Hey Emma, How are you today?
I'm alright thanks!
It's always a weird feeling releasing new music into the world.
I tend to hold a lot of anxiety around these times.
How do you feel now that 'Eggs On Toast" is out in the World?
I feel relieved, and always looking beyond the song. The excitement of a song for me is always at the time of writing it. The other stuff that comes after it is a mix of joy (recording and playing live) and then also a bit of fear and confusion at release time. There's so much involved in releasing a song, like choosing which genre it is - something I always find hard, having to post more on social media than you're ever comfortable with, remembering information about the process, bugging people on the radio to give it a spin - imagine if we could live in a world where we just wrote and recorded How much fun!!
How do you feel to have Henry Wagons from Tower of Songs on Double J, give another 'First Spin'?
Ah, Henry is such a legend. He's supported almost all of our songs with a First Spin on Double J, and it feels like a complete honour. That dude has some very amazing musical taste, his shows are always full of surprises and I continue to discover new favourites from listening to his shows.
It's wonderful that Australia has a radio station like Double J - I've always been a bit concerned about the lack of support for the older generation of talented songwriters, this seems like a good solution - now to get them on normal radio for people with old cars like me!
Tell the readers a little about the process about writing music, especially Eggs on Toast and Cairns Major?
Eggs and Canis had very different writing processes.
I began Eggs on Toast as part of the I Heart Songwriting Club - we were challenged to write a song inspired by breakfast + to use a made up word.
I made up TOMDALIFICENT as a word to represent a happy tummy, a happy mind.
I then connected with our bass player Rohin Jones at another songwriting project - Wild Mountains Songs - and we hit it off and we got together after the event and finished the song. We recorded all the songs from our upcoming EP at our home studio that we built from an old titan shed. We recorded it slowly over a year between us working other jobs and having other music projects. Was so much fun!
I'd like to learn a little bit more about your band, The Meeting Seasons - How did you meet, and form?
I met Tony our drummer at a house party when I got back from living in London in 2006 - we've stayed in close friend circles ever since. We've been to each other's weddings and our kids hang out, it's super cute. My husband used to drum in my band but it got too difficult with kids needing to be minded everytime you rehearse, play a show or record, it was a logistical nightmare. I was pretty bloody stoked when Tony said yes to joining my band, he's one of the best drummer's around and has the biggest heart. He also is really good at keeping my spirits high when things get tough. I met Reuben at a similar time - his band and my band went on a double bill Queensland tour together so we'd get drunk and had lots of fun being young and stupid, nothing much has changed between the two of us actually, except now we've discovered that we write really beautiful music together. Summer was the first song we wrote together, we did it in lockdown and I'm so damn proud of that song. I met Rohin through mututal friends ages ago - we were both waiting for our friend's band to finish rehearsing and played basketball together and laughed the whole time. I didn't realise who he was until I got home and I felt so nervous about what a dick I was being in front of one of the members of The Middle East, haha. Guess it helped that I was being myself because he then went on and produced our EP, wrote with us and plays in our band. I feel so bloody lucky I have these fellas, you have no idea. I remember the moment I asked each of them to play with me... I was so reluctant and scared... and they all said YES.
What are you biggest influences for the 'Emma Bosworth + The Meeting Seasons" project?
We are definitely honest speakers and don't compromise the feeling for anything. If we can jam it and it feels right, then we do it. We are never too caught up on what style it is, or who we sound like. We sound like ourselves through years of being passionate music listeners and honest players and writers.
What are your go-to records to put on during your downtime?
Personally I can't get enough of IT's OK by Land of Talk...
It transcends me to a new horizon. I also love listening to Warpaint if I'm trying to get into a deep zone of less overthinking and a more free headspace.
What has been a highlight of the last 6-months?
Playing our Brisbane launch show for Canis Major at It's Still A Secret was such a beautiful night. We rarely do shows that support releases, so to have a night like that where people have come to listen to the new songs and be there to hear us play was so beautiful. We turned the lights off for the last song and really got into the zone. I want more nighs like that in my life. Good sound, good vibes, good lighting, low pressure. PERFECT.
How did the Queensland Regional Fund opportunity come along for you?
I finally moved back to the Sunshine Coast! I was born here, and it was never really on my radar to move back, but honestly, it is so beautiful here. Super peaceful and stunning places to visit all around you. The local council has some great initiatives to support local creatives, and as an independent band - we don't have the backing of labels or record companies to help finance productions and releases, so unless we were out playing tonnes of shows - which is hard in this climate, particularly when half the band has small children, it's a huge struggle to make money to finance stuff like that. The council have supported the marketing of the release through financing part of the visuals and support from marketing and promotion professionals, it really has been so helpful. I almost, go into a crash and burn mode at this stage of releasing music. It's crippling!
Do you have any performances coming up?
Yes, we are playing the Wild Mountains 25th Birthday party this weekend, we are super pumped - we are playing in a done up 100 year old sheep shearing shed on and old farm. It's going to be so much fun.
What can you tell us about the upcoming EP due for release later this year?
It's a collection of songs made with love.
Any last words for our readers?
Thanks for reading and listening to our music.
For more information and updates on Emma Bosworth + The Meeting Seasons, please visit:
Facebook: https://www.facebook.com/emmabosworthmusic
Instagram: https://www.instagram.com/emmabosworthmusic
YouTube: https://www.youtube.com/channel/UCIZ3OQDh57G2LlJFSBrlVlg